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part 1: how to make money using crowdsourcing (from someone who made amost $40,000)

$38, 893.00. we made thousands on pozible.com.au, an australian crowdsourced funding site (if you’re in the dark, wikipedia re: crowdfunding). to date, it’s the largest amount raised by a single person in the short history of pozible . we’re writing this to let you know that compared of other methods of raising cash, it’s a pretty simple, fast and easy way, if you do it right. it’s also legal, which is rather handy.

Go shove your advertising up yr nuffnang!

so, how the heck did we tell bank managers and the other usual methods of financing to suck it and work without a bank loan?  how did we not sell our soul to nuffnang? where do we get the hookers and cocaine? not so fast, grasshopper.

for starters, there was a reason behind our madness of deciding to go down the route of crowdsourced funding. we’d done our homework on the whole crowdsourcing thing thanks to friends and people that we knew. nickd wrote a book about user interface design. my spinning hero, pluckyfluff aka lexi boeger, made her dream of a pluckyfluff HQ come alive. shannon okey, knitgrrl extraordinaire, kicked the bank manager’s butt and got her business funded for expansion.

we watched, we donated money to causes that we loved, and we got a little wistful. what could we do with websites like kickstarter? there had to be something.

how we came up with our project.

the pieces coming together all happened in a rush. admitedly, we’d laid a hell of a lot of groundwork before starting out on our path to cash. we’ve done the New Enterprise Incentive Scheme (NEIS). twice. we’d written articles for yarn magazine,  done a lot of knitting book reviews, worked for a yarn store, blogged since 1998 (we were part of the beginning of diaryland & blogger, amongst others), and started our own business selling hand dyed yarn in australia, because it seemed kinda weird to be importing the stuff.

we have sheep here in australia. researching things a little further, we have a rare breed of sheep, the cormo, which is pretty popular overseas. it’s the biggest fibre seller at the moment at the spinning loft, a fine purveyor of fleecy goodness based in the USA at howell, near detroit in michigan.

long story short: we fall in love with cormo, and desperately wanted to have it locally manufactured into a form that more crafters can use (ie combed top for spinning & felting, and yarn for knitting & crochet). how? after a few months of research, it turns out that we can get it done, but it’s no small operation.

we do the sums and nearly fall over backward at the cost – how do farmers ever manage to afford the costs of transport, scouring (cleaning the fleece), processing (combing and carding the fleece to get a spinnable fibre), and spinning before selling their own product? there was no way that we’d be able to do it alone. or was there?

there was the option of simply getting the farmer to trust in us, and fund the whole thing. problem was, we wasn’t sure that we had an audience, and that there were enough people willing to pay a premium for a locally made product. we really needed to keep that farmer happy, by making things as simple as possible.

do your homework.

we did the homework with kickstarter. the truth of the matter is, unless you’re in the US or have someone amazing who is going to do all your dirty work in america (set up the account on kickstarter, have a US amazon account, have a US bank account, make your ham sandwiches, and the list goes on…), and the bulk of the people funding you are going to be in the USA, you can forget about kickstarter. they have automated walls for people outside of the US to ensure that you don’t start a project with them.

the cormo project was going to be all australian. it had to be, because that’s essentially what we were pimping – a rare australian sheep from the founders of the breed, processed from sheep to skein in tasmania & victoria. we knew about pozible from a few sources, including the famous hell hole of complete shit in both good and bad ways, messandnoise.

there was a project that was being pimped on messandnoise that was successful “given everything” – a film about oz musician maurice frawley . sure, it helped that they had paul kelly backing them, but it was a great project, and it’s awesome to see a film about  a well loved local musician come to fruition.

we did the homework on pozible. perhaps too much. we religiously checked out other projects, read all the fine print, checked the everything crowdfunding flowchart, read the blog and possibly annoyed the hell out of those boys who were successful. we googled them. we called them. we contacted them via messandnoise.

get the code.

most importantly, we got the code. if there is a way to make or save money whilst doing crowdsourced funding, take it. pozible offers a discount code through various avenues, and it’s really super duper worth your while to get one. why? here’s how pozible’s fees work:

we raised a total of $38, 893.00. if we didn’t get the code, we’d be paying pozible $2,916.00. with the code? $1,944.00. a simple task which took a few minutes saved us close to a thousand dollars.

pozible wants you to be successful, and by adding in a little extra work for you to do, they figure your chances will be greater. given that since doing pozible, that no one had asked us for a code, or the folk that we got our code from, pozible are very right. check out the statistics – less than 40% of the projects on pozible are successful – getting a code is one little step on your path to success. (update – we’ve only got one left, but if you think you’re worthy – get in touch!)

beware midgets in the porn industry

we didn’t really think about this one, because for us and our checkered history of applying for jobs amongst other things, we love addressing selection criteria. 49% of pozible projects are rejected, because they fail to meet pozible’s criteria.  before you start on your path to millions by crowdsourcing a charity that cares for midgets in the porn industry, you might like to check where pozible sits with your project.

there was nothing like TON OF WOOL, hell, there wasn’t even a craft category (like there is on kickstarter). so, we did the right thing, contacted pozible and checked. added bonus – pozible knows that you’re coming, they’ll look out for you, and they’ll approve you faster, because you checked, and you, smart person, have the code.

 coming up with your target amount.

we asked for what seems like a ridiculous amount of money – $33,000.00. we had no choice in the matter, because the minimum with the scour for white wool was two tons, and we talked them down to one. we did our homework. we did the sums. we talked to our accountant and gave them the figures and listened to them sweat over the phone and tell us that we’re doing something really dumb and risky. if our accountant didn’t do that, something would be horribly wrong.

we talked to a fibre loving knitter pal who’s also a bookkeeper who knows her way around a balance sheet, and got her to do some sums and check ours. then, we went through the scenarios, many a time, and came up with how it was all going to work. we needed to buy all the wool, and get it all scoured. then we worked out the bare minimum we’d need to sell, and how much we could charge for it in order to cover the costs of buying it all, scouring it all, and processing what needed to be sold.

then we added the fun stuff – the costs that pozible charge, transport costs, gst on any transactions, postage, labelling. to be on the safe side, we padded it out by using maximum costs for things that could possibly be a lot lower (for example, wool processing is cheaper when processing 500kg as against 250kg, but we used the 250kg figure).

whatever project you’re doing – that number crunching is uber important that you get right BEFORE you go for funding. always go for the bare minimum that you need to get your project funded – it’s not unusual for projects to be funded way over their additional goal, particularly if you spell it out that you’re going for minimum, however if extra funds occur, what they’re going to be used for.

know your product.

have awesome rewards that people are going to want. there’s a couple of schools of thought about rewards though, and there’s no one way that’s right, but there’s what works for you. we needed simple, so we stuck with product only, and a digital craft magazine – entangled that we’d been helping out with that we wanted to publicise – a win/win situation. if there’s someone you can team up with to offer something a little off the wall without too much hassle, all well and good. others warned me about going all out and giving away crazy things that cost extra and were a lot of work. for example, we do hand dyed yarn. there’s no hand dyed offerings, because we couldn’t put the costings into pozible without a lot of fussing around.

others have gone all out with weird offerings, and it’s worked for them in terms of publicity. great examples include josh freese who did some uh… interesting package deals “Take a limo down to Tijuana and he’ll show you “how it’s done””.  there’s also the wonderful $3000 grilled cheese party for bottle coozies (and james brown stickers, t shirts, all sorts of crazy). do question if you really want to be signing product a thousand times (hello trent reznor) or what else you’d be prepared to do/offer, particularly if it’ll get you media attention, and it’s something people will shell out cold hard cash for.

do a video for your project.

we know. we didn’t do one. at least, we didn’t publish one of the tens that we did do, because we hated it, and chances are, pozible hates us for not having a video, because it’s one of the things that they love to see you do. so we’re going to do a video just for pozible about pozible instead. meanwhile, we highly recommend robin sloan’s awesome advice on doing a video.

oh, honey

in the throes of trying to find something interesting to watch whilst knitting, we came across a documentary about bees – “Queen Of The Sun: What Are the Bees Telling Us?”. we haven’t seen said documentary (yet!) but our obsession is growing.
turns out that locally, the melbourne scene is looking pretty good for bees. there’s an urban bee guild, melbourne city rooftop honey, and  bee sustainable in brunswick where we’ve been told they stock local pollen, perfect for a smoothie kickstart to the day.

we’re looking forward to seeing a honey CSA starting up, and growing some herbs to help out us (salad time!) and the bees.

5 ways blog events have changed over ten years

a comparison of South By Southwest (SXSW) 2001 & Problogger Melbourne 2011

1) blogs & events have come to australia

in the year 2001, there wasn’t a hell of a lot of blog events in australia. the closest thing we went to was national young writers festival, which featured various people using the web for nefarious purposes.

so, we hightailed it overseas during the olympics in sydney, living in london, and going to sxsw in austin. needless to say, things were a little different back then. there were less bloggers and new media folk, and we knew of each other. it’s kinda scary looking back at the photo below of a blogmeet in london and knowing where some of these people are now. not to mention the missing one.

bonanza 1, originally uploaded by Meg Pickard.

sxsw these days is a massive several day conference – check out the sessions for next year. when we went, it was a much smaller, cosier experience, consisting of going to breakfast at the house of the locals, and mooching off people whose company had paid for their hotel room. we weren’t the only one – justin hall was the king of doing stuff on the cheap,  our one regret being not finding out more from him and how he did it. thanks to loobylu, we managed to at least score a free ticket on her behalf, given that she was up for an award.

if you wanted to meet anyone, not a problem. zeldman? hug first, introduce yourself later. so many people who are now really well known – back then, we were all just hanging out together.

these days – a blog event in our city! due to not blogging and basically living in a black hole, we find out about it at the last minute on twitter, and scamble to get a ticket from someone who can’t make it.

2. teh interwebs celebrity

back in 2001, there wasn’t someone who was a new york times bestseller author who just happened to be in town for some billboard plastered conference on how to be a millionaire who could make a guest appearance. this time around, tim ferriss rocked up. like amanda mentioned in her five lightbulb moments from problogger, swooning women. or after checking out his thoughts on dating, not so much.

3. monetization

was that even a word in 2001?  suffice to say, if there were a drinking game based around the word at problogger, you’d be needing your stomach pumped in emergency before the day was done.

4. sisters are doin’ it for themselves

whoa. the biggest takeaway from 2011 is heck – the womens! where did all these females come from?  the Australian Women Bloggers directory shows that the answer is, a combo of fashion/design and mommy/mummy bloggers. this is one trend that is great to see – that women are taking up internet use and communications, and more importantly sticking to their guns and doing things their way. a prime example is the honest and we-had-tears-streaming-down-our-face-laughing woogsworld. we’ll put it on record that she is destined for Big Things (and we don’t mean larger thighs).

we loved it that there was a panel with the women from woogsworld, foxinflats, stone soup & hair romance, with paul cunningham feeling very out of place, particularly when the birthing stories started. about time. NOW YOU KNOW HOW WE’VE BEEN THE LAST FEW YEARS AT THESE TECH THINGERS, BOYS.

5. the handy tips and tools

there were a few things that we picked up at problogger that we found rather handy. linking muliple email accounts together using sparrowmail. reeder for .rss feeds. nicole avery of planningwithkids super organised methods including batch blogging on the weekends for more time during the week. using numbered lists for posts (ie 5 ways, 10 things, 100 best etc), and the importance of setting goals (that one never gets old).

the truth is, the basics haven’t changed so much. doing what you love, and being smart about it is nothing new. thank goodness for that.

mosses and mushrooms and whimsy, oh my!

found on twitter via the wonderful ravelry staffer rainydaygoods:

snake-a-licious sweater

snake-a-licious sweater

tinyowlknits aka stephanie dosen is someone to make your day just that little bit more wonderful. an amazing knitting talent (just looking at her projects makes us swoon), she’s got the vocal chops too, which you can witness on rockwiz.

prudence mapstone freeform workshops oct 2-3

passing on the word from prudence mapstone:

I will be in Melbourne again for the CraftExpo next month, but because there will only be mini workshops at that show I have decided to fly down a little early so that I can run a couple of full-day freeform classes before the show.

They will be held on Saturday October 2 and Sunday October 3.

The class on the Saturday will be geared towards creating freeform fabrics for garments such as cardigans, jackets and coats (although the resulting fabrics would be equally suitable for purses, rugs and cushions, too). In the Sunday workshop we will cover soft and drapey fabrics, more suitable for shawls and wraps.

Anyone who wished to take both of the classes would find that there isn’t an overlap, as we will be covering lots of different stitches and different techniques on each of the days, so bookings for the full weekend would be fine.

Each workshop is suitable for both beginners and those with more advanced skills, but since both knitting and crochet will be covered, it is an advantage to have at least some experience with both crafts. You
will be encouraged to use at least some stitches and techniques pertaining to both, although you can choose to work mainly with just one craft or the other if you feel that you are more proficient in one particular area.

The workshops will be held in Richmond and will run from 9:30am until 4:30pm each day.

Email me at prudence@knotjustknitting.com) if you are interested (say which day, or both), and I will get back to you all the details. Places will be limited and bookings will be on a first come/first served basis.

if you’re new to prudence and her freeform work, check it out at knotjustknitting.

the beginnings of drape drape dressing.

whilst on a lil’ vacation at the markmaker’s, we were going through her japanese sewing books, and fell in lust with the drape drape books. they’re japanese sewing books which have gained quite the cult following in blogland, and the whole draping fashion in general seems to have boomed of late. being impatient to get started, we went to tessuti fabrics, home of wonderful stuff in general, and scored a copy of drape drape 1 there. 2 had already sold out, but we figured that’s fine, we can grab it online somewhere (recommended places to purchase). a few weeks ago, we scored a decent amount of coned pure silk:
pink pure silk

pink pure silk

so, the plan is to make a machine knit dress out of the silk. in the drape drape books, there were a couple of options that we were really keen on, and we’ve ended up settling for #17 in drape drape 1, the black dress below:

Drape Drape, originally uploaded by the workroom.

so, we’ve started getting under way by getting some fabric to do a mockup and see if we really like the dress in the first place. enter conundrum one – we just wanted to do a simple test with nothing fancy – but fancy is what tessuti does best, and the fabric that we were eyeing off for the colour was $16 a metre.
enter clearit. the discount emporium where alannah hill and other cast offs go to die, we’re amazed at the amount and the quality of the fabric here, and what it’s selling for. there’s currently a super cute liberty corduroy with rocking horses and other kiddie guff for $20 a metre. there’s pure black wool for suiting also @ $20 a metre, and lining materials for a song. we’re guessing most fabrics would retail for possibly double, maybe triple what they do here. added bonus for us is that alannah seems to have scored our sucker for pink gene.
we searched through the stretch fabrics, and found a beautiful fabric with a stunning construction and sheen to it for $5 a metre – only problem was, it was pale blue. then we found the pink. then we found lurve:
alannah hill stretch (poly/viscose?) fabric

my crafty list of things to do

(inspired by the wondering and wonderful make something)

  • spin a fleece and make something (a jumper?) out of it.
  • finish my teva durham cardigan
  • write about going to socksummit 2009
  • write about the craft victoria day
  • write about the craft movie
  • put up previous writing.
  • finish $2,500 socks by old bar knitting deadline – the 27th september.
  • complete 4 winter garments by the end of this year: dress/skirt, coat, and audrey and red gables cables hoodie.
  • crochet a cardigan showing the colour range of one dye lot of sock yarn.
  • complete cushion covers for my loungeroom
  • complete curtains for my kitchen
  • make a mini quilt out of leftovers from above + torn linen sheet and send resulting quilt + book to someone very special o/s.
  • machine knit a dress out of drape drape 1 or 2 out of silk after doing testing, prior patterns etc.
  • grow miniature orchids like the collection from a martha stewart mag on flickr, or the cover of the new terrarium.
  • sew the brown DKNY dress
  • machine knit  the wrap dress by laura grutzek
  • machine knit the venezia pullover as a 2 colour v neck.

melbourne craft doco.

melbourne readers, you’ll need to act fast on this one if you’re keen – the online box office closes at 8pm today. “making it handmade” is a locally made documentary about the craft movement featuring faythe levine (above): handmade nation, pip lincolne: meet me at mikes, gemma jones: kaotic kraft kuties, rayna fahey: radical cross stitch, and casey jenkins: craft cartel. it’s on this saturday at RMIT kaleide theatre and there’s 2 screenings: 2pm and 4pm. for more info, check out the facebook page. for bookings, buy online from radical cross stitch.

but that’s not all! also on outside the cinema is a swanky little market, featuring ms.gusset yarns and fibres, and jen from a piece of cloth will also be there with many vintage fabrics and other old school sewing related goodies. we highly recommend you come check it out if you can.

shima seiki, faster, mark fast

rmit melbourne is currently holding an exhibition until the 21st march titled “the endless garment” which is about new uses of machine knitting. it’s worth a look ’cause this is your one chance to see garments from sandra backlund and mark fast in the flesh. also on as part of the exhibition is a talk from the creative director of issey miyake, founder of APOC (a piece of cloth) garment construction – so it’ll be interesting to hear what miyake & co have planned for the future in terms of pushing knitting forward.

mark fast (photo portrait) has been in the press of late for his use of (gasp! horror!) real size models in his knitwear:
mark fast
he also has a (recent?) diffusion faster label, and there’s a great video of his recent autumn/winter 2010 collection. for the inside scoop, it’s worth checking out knitkicks from jen jarvis who is working for mr fast and also provides some background on staff there, along with some great reviews/interviews of knitting graduate work.

AWI – “poisonous, strange, and nasty”

sometimes you can’t help but wonder…am I reading the news, or the onion? this time around, it is the news, with fresh shenanigans in the wool industry c/o brenda mcgahan (remember her? yep, one of the “women of wool” from last years bendigo sheepshow). she’s resigned as CEO of AWI (australian wool innovation aka the dudes dealing with mulesing). our feeling is that she’s simply had enough of the tantrums. north qld register put that the board is poisonous, strange, and nasty. AWI put in a press release that “Brenda’s decision had been brought about by her frustration at the ongoing differences of opinion amongst members of the Board particularly since the AGM”. if that’s what’s in the press release that they’re putting to the public, can you imagine what it’s like behind closed doors? heck.
to add a little further fire, apparently there was meant to be a 9th annual international wool show congress (oh…so that’s it…at shows, like bendigo sheepshow, stalls cost around $300. at congresses, they’re $3000) in sydney this year. first we heard of it was from someone o/s. surely enough, the day we find out about it, the congress is cancelled.